Stephane St Jaymes previewed his latest work last Tuesday at Lookingglass Theatre Company, set inside the iconic Chicago Water Tower, built in 1869. The space brought a charged, almost cinematic energy to the presentation — exactly the kind of setting that reminds you fashion isn't just seen, it's experienced. If you're going to succeed in fashion, you have to engage all the senses, and this did.
Born in West London and raised in East London, Stephane credits his mother as his first teacher before refining his craft at the London College of Fashion. His most significant influence came from a Lebanese couturier who imparted the discipline of true couture — precision, masterful handwork, and the kind of exacting, luxurious finishing that defines his custom pieces today.
Over the past 14 years in Chicago, Stephane has quietly built a devoted clientele while maintaining his usual low profile. And it's clear — he has fallen in love with his clients. He designs with a deep respect for women, favoring elegance over vulgarity. As he puts it, "Women should be admired and protected."
A designer-in-residence at Apparel Industry Board, Inc. (AIBI), Stephane partnered with the organization for this event, marking his second show with them in the past year. With the momentum of the Lookingglass presentation, he's stepping into a broader spotlight — on his own terms.
Stephane also has clear-eyed views on Chicago fashion — its frustrations as well as its promise. He believes the city has the talent and the influence to move forward, but only if those in positions of power are willing to set ego aside. With his unmistakable English accent and charm he simply states that they need to "put egos in a basket" and get on with it.
A round of applause for the planning committee: DeAnna Spoerl, John Rogers, Marci Mazur, Nicole Ruiz and Suzet McKinney.
